BIO LOVE I - PANTA RHEI

  • While exploring unexpexted material behaviors and soft-body-simulations, I thought, why not use this to tell a metaphorical story about a wobbly part of my timeline.

    music composed by Michael Ricar

Development and Excerpts

MEMORIES OF FOUNDING A DESIGN STUDIO

  • While exploring unexpexted material behaviors and soft-body-simulations, I thought, why not use this to tell a metaphorical story about a wobbly part of my timeline.

    music composed by Michael Ricar

Development and Excerpts

PROJECTION MAPPING

SERIES

  • Explorations with a projection mapping technique to find some new. forms to express little stories of mood and feelings

Development and Excerpts

MERITOCRATIC DELUSION

  • 2024

CONSTANT UNVEILING

  • A while back, this began as my first steps into the wonderful software Houdini.
    I recently picked this stuff up again and somehow ended up wrapping it into a short, story-like loop about humanity’s twists and turns in thinking about how the world is made — or something like that.

Development and Excerpts

PARADIGM SHIFTS

  • A while back, this began as my first steps into the wonderful software Houdini.
    I recently picked this stuff up again and somehow ended up wrapping it into a short, story-like loop about humanity’s twists and turns in thinking about how the world is made — or something like that.

AUTOMATIC DRAWINGS

  • This series investigates drawing as an automatic process. Random scribbled structures serve as a starting point, which are then intuitively developed without conscious planning.
    The resulting images emerge from the accumulated muscle memory and subconscious logic of a lifelong drawing practice.

    The portrait drawings originate from blind self-portraits, executed without looking at the paper. This lack of visual control generates raw, highly expressive base forms.
    In a second step, these forms are carefully elaborated through observational drawing and painting, resulting in a hybrid language that merges naturalistic representation with expressive abstraction.

    2008